1
00:00:01,293 --> 00:00:02,586
Man: CARROLL WAS CONVICTED
IN 2004

2
00:00:02,586 --> 00:00:04,003
FOR THE MURDERS
OF 14 YOUNG WOMEN.

3
00:00:04,003 --> 00:00:05,589
FBI Director: WE NEED
YOU IN VIRGINIA, RYAN.

4
00:00:05,589 --> 00:00:07,048
I'M NOT AN AGENT ANYMORE.

5
00:00:07,048 --> 00:00:09,259
YOU CAUGHT CARROLL.
NO ONE KNOWS HIM
LIKE YOU DO.

6
00:00:09,259 --> 00:00:11,261
SO WHAT'S MY SEQUEL
ABOUT, JOE?

7
00:00:11,261 --> 00:00:13,221
Carroll: WE'RE GONNA
WRITE THIS TOGETHER, RYAN...

8
00:00:13,221 --> 00:00:14,932
OHH!

9
00:00:14,932 --> 00:00:17,392
EVEN THOUGH YOU
SLEPT WITH MY WIFE.

10
00:00:17,392 --> 00:00:21,814
I HAVE SO MANY SURPRISES
WAITING FOR YOU.

11
00:00:21,814 --> 00:00:23,565
Riley: AGENT PARKER'S
TAKEN THE LEAD.

12
00:00:23,565 --> 00:00:25,734
CULTS, MY SPECIALTY.

13
00:00:25,734 --> 00:00:26,902
Ryan: WE KNOW
ABOUT THE CULT.

14
00:00:26,902 --> 00:00:29,154
GAY NEIGHBORS
AND THE NANNY,

15
00:00:29,154 --> 00:00:31,323
HOW DO THEY FIGURE
INTO YOUR NEW PLOT?

16
00:00:31,323 --> 00:00:32,867
WHY IS MY DAD
SUCH A BAD MAN?

17
00:00:32,867 --> 00:00:35,035
MAYBE HE'S NOT SO BAD.

18
00:00:35,035 --> 00:00:36,704
I NEED THE PHONE.
WHERE IS IT?

19
00:00:36,704 --> 00:00:38,580
Ryan: THEY WERE ABLE
TO FIND A SIGNAL
IN UPSTATE NEW YORK,

20
00:00:38,580 --> 00:00:39,915
DUTCHESS COUNTY.

21
00:00:39,915 --> 00:00:40,958
WE'RE GONNA FIND JOEY.

22
00:00:40,958 --> 00:00:42,167
I KNOW YOU WILL.

23
00:00:42,167 --> 00:00:43,585
HEY, GUYS.
THIS IS MEGAN.

24
00:00:43,585 --> 00:00:45,086
I THOUGHT YOU
WERE GONNA DEAL
WITH THIS.

25
00:00:45,086 --> 00:00:46,296
Jacob: PAUL'S THE ONE
THAT BROUGHT HER HERE.

26
00:00:46,296 --> 00:00:47,548
Paul: JACOB'S NEVER
KILLED ANYONE.

27
00:00:47,548 --> 00:00:48,966
I THINK YOU SHOULD
DO IT, JACOB,

28
00:00:48,966 --> 00:00:50,175
SINCE YOU NEVER HAVE.

29
00:00:50,175 --> 00:00:51,343
GET OUT OF HERE. GO!

30
00:00:51,343 --> 00:00:52,594
Emma: SHE'S GETTING AWAY!

31
00:00:52,594 --> 00:00:53,721
UNH!

32
00:00:53,721 --> 00:00:54,972
AAH!

33
00:00:54,972 --> 00:00:57,224
WE BOTH LOVE HIM,
PAUL.

34
00:00:57,224 --> 00:01:00,185
Jacob: EMMA?
I'M SORRY.

35
00:01:00,185 --> 00:01:02,354
Emma: WE'RE NOT
GIVING UP ON YOU.

36
00:01:36,388 --> 00:01:37,681
Paul: YOU OK?

37
00:01:37,681 --> 00:01:38,933
YEAH, I'M FINE.

38
00:01:38,933 --> 00:01:40,017
WHERE ARE YOU GOING?

39
00:01:40,017 --> 00:01:41,309
BATHROOM.

40
00:01:41,309 --> 00:01:42,770
ARE YOU
FREAKING OUT?

41
00:01:42,770 --> 00:01:45,898
NO. I'M FINE.
I JUST HAVE TO PEE.

42
00:02:10,589 --> 00:02:14,551
JACOB'S FREAKING OUT,
ISN'T HE?

43
00:02:14,551 --> 00:02:17,096
WELL, HE WASN'T
LAST NIGHT.

44
00:02:20,099 --> 00:02:22,183
THAT WAS FUN.

45
00:02:22,183 --> 00:02:23,894
OFF THE CHARTS.

46
00:02:50,462 --> 00:02:53,799
I'M HUNGRY.

47
00:02:53,799 --> 00:02:56,051
YOU HUNGRY?

48
00:02:56,051 --> 00:02:57,845
STARVED.

49
00:02:57,845 --> 00:03:00,764
HMM.

50
00:03:00,764 --> 00:03:02,683
ALL RIGHT.

51
00:03:14,402 --> 00:03:15,612
HELLO?

52
00:03:15,612 --> 00:03:18,365
Joey: MOM?

53
00:03:18,365 --> 00:03:20,075
JOEY?

54
00:03:20,075 --> 00:03:21,660
HONEY, WHERE ARE YOU?

55
00:03:21,660 --> 00:03:23,745
I WANT TO GO HOME.
WHY CAN'T I COME HOME?

56
00:03:23,745 --> 00:03:25,789
UM, WELL, JUST TELL ME
WHERE YOU ARE, HONEY,

57
00:03:25,789 --> 00:03:27,248
AND I'LL COME GET YOU.

58
00:03:27,248 --> 00:03:28,583
SOMEWHERE
IN THE COUNTRY.

59
00:03:28,583 --> 00:03:30,418
WHY'D YOU MAKE
DENISE BRING
ME HERE?

60
00:03:30,418 --> 00:03:32,462
WHERE? WHERE, HONEY,
WHERE IN THE COUNTRY
ARE YOU?

61
00:03:32,462 --> 00:03:34,923
I DON'T KNOW.
IT'S...

62
00:03:34,923 --> 00:03:38,052
A BIG HOUSE,
LIKE A FARM.

63
00:03:38,052 --> 00:03:39,302
KEEP HIM
TALKING.

64
00:03:39,302 --> 00:03:40,888
WHAT--WHAT COLOR
IS THE HOUSE, JOEY?

65
00:03:40,888 --> 00:03:43,974
IT'S WHITE
WITH BLACK SHUTTERS,

66
00:03:43,974 --> 00:03:47,102
AND IT'S REALLY BIG
WITH AN UPSTAIRS,

67
00:03:47,102 --> 00:03:48,645
AND IT'S FAR
FROM THE STREET,

68
00:03:48,645 --> 00:03:52,273
AND THEY WON'T
LET ME LEAVE
THE YARD.

69
00:03:52,273 --> 00:03:55,527
WHA--IS DENISE
STILL WITH YOU
RIGHT NOW, HONEY?

70
00:03:55,527 --> 00:03:57,696
YEAH, AND PAUL
AND JACOB.

71
00:03:57,696 --> 00:03:59,614
I DON'T REALLY
LIKE PAUL.

72
00:03:59,614 --> 00:04:01,909
WHY? WHY, BABY?
DID HE HURT YOU?

73
00:04:01,909 --> 00:04:04,995
NO, BUT HE'S MEAN.

74
00:04:04,995 --> 00:04:06,663
DO THEY KNOW YOU'RE
TALKING TO ME RIGHT NOW?

75
00:04:06,663 --> 00:04:07,956
NO WAY.
THEY'D KILL ME

76
00:04:07,956 --> 00:04:10,209
IF THEY KNEW I WAS
ON THE PHONE.

77
00:04:10,209 --> 00:04:11,501
WELL, YOU DON'T
HAVE TO WORRY, OK,

78
00:04:11,501 --> 00:04:13,128
BECAUSE I'M GONNA
COME GET YOU.

79
00:04:13,128 --> 00:04:15,881
OK. TELL DENISE TO
BRING ME HOME, OK?

80
00:04:15,881 --> 00:04:17,674
AAH! AAH!

81
00:04:17,674 --> 00:04:19,843
JOEY? JOEY?

82
00:04:22,804 --> 00:04:26,307
JOEY! JOEY!

83
00:04:36,151 --> 00:04:37,694
MIKE, WHAT
DO YOU GOT?

84
00:04:37,694 --> 00:04:39,113
CELL PHONE JOEY USED
WAS SCRAMBLED

85
00:04:39,113 --> 00:04:40,697
WITH AN ALGORITHM
JUST LIKE MAGGIE SCHULLER'S.

86
00:04:40,697 --> 00:04:41,782
YOU WORKED PAST IT.

87
00:04:41,782 --> 00:04:43,366
NOT EXACTLY.
WHEN JOEY HUNG UP,

88
00:04:43,366 --> 00:04:44,952
THE PHONE MOMENTARILY
SWITCHED TO WI-FI,

89
00:04:44,952 --> 00:04:47,037
WHICH PINGED A SIGNAL
IN BATON ROUGE,
LOUISIANA.

90
00:04:47,037 --> 00:04:48,496
I THOUGHT YOU SAID
DUTCHESS COUNTY.

91
00:04:48,496 --> 00:04:50,874
IT WAS. OPENING
THE FILES TRIGGERED
A VIRUS.

92
00:04:50,874 --> 00:04:52,500
I CAN'T BE SURE
OF ANYTHING ANYMORE.

93
00:04:52,500 --> 00:04:55,420
HEY. ISN'T THAT
JOE CARROLL'S ATTORNEY?

94
00:04:55,420 --> 00:04:56,964
I THOUGHT HE
REPRESENTED HIMSELF.

95
00:04:56,964 --> 00:04:58,840
YEAH, AT TRIAL.
OLIVIA WARREN
HANDLED HIS APPEALS.

96
00:04:58,840 --> 00:05:01,135
WHAT THE HELL
IS SHE DOING HERE NOW?

97
00:05:01,135 --> 00:05:04,054
OH, NO. WE GOT TO
SHUT THIS DOWN,
SEND HER AWAY.

98
00:05:04,054 --> 00:05:06,014
THERE'S NO REASON
SHE NEEDS TO MEET
WITH JOE TODAY.

99
00:05:06,014 --> 00:05:08,016
WE CAN'T DO THAT,
AND YOU KNOW IT.

100
00:05:08,016 --> 00:05:09,268
HE HAS A RIGHT TO SPEAK
TO HIS ATTORNEY.

101
00:05:09,268 --> 00:05:10,978
HE KNOWS WE'RE CLOSE
TO FINDING JOEY,

102
00:05:10,978 --> 00:05:12,395
AND HE'S PLANNING
SOMETHING.

103
00:05:12,395 --> 00:05:13,897
WE HAVE GOT TO GET
TO DUTCHESS COUNTY NOW.

104
00:05:13,897 --> 00:05:16,524
NOT UNTIL WE CONFIRM
THE LOCATION.

105
00:05:18,652 --> 00:05:19,903
IT'S GONNA TAKE ME
A COUPLE HOURS

106
00:05:19,903 --> 00:05:20,946
TO WORK
THROUGH THIS MESS.

107
00:05:20,946 --> 00:05:22,197
HURRY.

108
00:05:22,197 --> 00:05:23,657
JUST WHATEVER YOU
HAVE TO DO, MIKE,

109
00:05:23,657 --> 00:05:26,076
JUST HURRY.

110
00:05:26,076 --> 00:05:27,702
Joey: WHY CAN'T
I GO HOME?

111
00:05:27,702 --> 00:05:29,704
MOM SAID SHE WAS
GONNA COME GET ME.

112
00:05:29,704 --> 00:05:31,539
HONEY, I TOLD YOU

113
00:05:31,539 --> 00:05:34,501
YOUR MOM'S WORRIED
THAT YOU MIGHT
BE IN DANGER.

114
00:05:34,501 --> 00:05:36,628
BUT SHE ACTED LIKE
SHE DIDN'T EVEN KNOW
WHERE I WAS.

115
00:05:36,628 --> 00:05:38,797
SHE WAS SCARED
ON THE PHONE
AND ASKING QUESTIONS.

116
00:05:38,797 --> 00:05:40,590
THERE ARE THINGS
YOU DON'T KNOW.

117
00:05:40,590 --> 00:05:41,883
LIKE WHAT?

118
00:05:41,883 --> 00:05:42,968
I KNOW ABOUT MY DAD.

119
00:05:42,968 --> 00:05:45,929
I KNOW HE'S
A BAD MAN.

120
00:05:45,929 --> 00:05:48,807
WHAT IF I TOLD YOU
THAT YOUR DAD WASN'T
A BAD MAN?

121
00:05:48,807 --> 00:05:50,767
THEN WHY WAS HE
IN PRISON,

122
00:05:50,767 --> 00:05:52,311
AND WHY ARE THE POLICE
LOOKING FOR HIM?

123
00:05:52,311 --> 00:05:54,146
IT'S COMPLICATED, JOEY,

124
00:05:54,146 --> 00:05:57,024
AND REALLY HARD
TO UNDERSTAND,

125
00:05:57,024 --> 00:06:00,027
BUT THE POLICE ARE
THE BAD MEN.

126
00:06:00,027 --> 00:06:01,278
POLICEMEN ARE GOOD.

127
00:06:01,278 --> 00:06:03,238
NOT ALWAYS.

128
00:06:03,238 --> 00:06:05,782
THEY'RE LYING
ABOUT YOUR DAD.

129
00:06:05,782 --> 00:06:08,160
THAT'S WHY YOUR MOM
SENT US HERE,

130
00:06:08,160 --> 00:06:14,582
TO HIDE FROM THEM,
TO MAKE SURE NOTHING
HAPPENS TO YOU.

131
00:06:20,005 --> 00:06:23,424
HEY. HEY! CUPCAKE.

132
00:06:23,424 --> 00:06:25,844
CAN YOU WAKE UP?
WAKE UP.

133
00:06:33,894 --> 00:06:37,731
IT'S NOT SO BAD.

134
00:06:39,983 --> 00:06:42,110
PLEASE.

135
00:06:42,110 --> 00:06:45,072
I WANT TO GO HOME.

136
00:06:45,072 --> 00:06:47,741
YOU'RE NOT
GOING HOME, MEGAN.

137
00:06:49,326 --> 00:06:52,411
NEVER AGAIN.

138
00:06:52,411 --> 00:06:53,788
I THINK WE
ESTABLISHED THAT.

139
00:06:53,788 --> 00:06:55,165
A LITTLE ACCEPTANCE
AT THIS POINT

140
00:06:55,165 --> 00:06:57,042
MIGHT GO A LONG WAY.

141
00:07:03,257 --> 00:07:06,301
IT WON'T BE LONG NOW.

142
00:07:06,301 --> 00:07:07,928
I PROMISE.

143
00:07:22,442 --> 00:07:25,946
HEY. WHERE'S EMMA?

144
00:07:25,946 --> 00:07:28,115
SHE'S UPSTAIRS
TALKING TO JOEY.

145
00:07:28,115 --> 00:07:30,617
OOH.

146
00:07:30,617 --> 00:07:33,370
WELL, THAT WAS
AN UNTRACEABLE
SATELLITE PHONE,

147
00:07:33,370 --> 00:07:34,746
SO WE'RE SAFE.

148
00:07:34,746 --> 00:07:36,539
WHAT IF HE TOLD HIS MOM
WHERE WE ARE?

149
00:07:36,539 --> 00:07:38,708
NO. HE HAS NO IDEA
WHERE HE IS.

150
00:07:38,708 --> 00:07:41,878
I'VE BEEN THINKING
ABOUT LITTLE MEGAN.

151
00:07:41,878 --> 00:07:44,214
I DON'T THINK YOU SHOULD
GO WITH THE BIG BLADE.

152
00:07:44,214 --> 00:07:45,506
IT IS YOUR FIRST TIME,

153
00:07:45,506 --> 00:07:47,801
AND IT'S LIKELY
FOR YOUR STABS
TO BE...

154
00:07:47,801 --> 00:07:49,510
TENTATIVE,
ALL RIGHT?

155
00:07:49,510 --> 00:07:51,846
I THINK
IT'S BETTER FOR YOU

156
00:07:51,846 --> 00:07:55,225
TO DO WITH SOMETHING
THIN AND SHARP LIKE THIS.

157
00:07:55,225 --> 00:07:57,394
IT HAS MORE IMPACT.

158
00:07:57,394 --> 00:08:00,063
ALL RIGHT?
YOU CAN DO THIS.

159
00:08:00,063 --> 00:08:01,440
I KNOW YOU CAN.

160
00:08:03,733 --> 00:08:04,943
WHAT'S YOUR PROBLEM?

161
00:08:04,943 --> 00:08:08,863
I'M NOT GAY,
ALL RIGHT?

162
00:08:08,863 --> 00:08:10,824
LAST NIGHT WAS GREAT.

163
00:08:10,824 --> 00:08:13,952
NO, IT WASN'T.

164
00:08:13,952 --> 00:08:15,578
YOU COULD HAVE
FOOLED ME.

165
00:08:15,578 --> 00:08:18,039
LOOK.

166
00:08:18,039 --> 00:08:22,710
I CAN'T BE WHAT
YOU WANT ME
TO BE, PAUL.

167
00:08:22,710 --> 00:08:24,754
I CAN'T.

168
00:08:24,754 --> 00:08:26,589
IT'S JUST NOT
WHO I AM.

169
00:08:29,343 --> 00:08:30,593
WHY DO YOU ALWAYS
HAVE TO

170
00:08:30,593 --> 00:08:32,637
LABEL EVERYTHING?

171
00:08:32,637 --> 00:08:35,598
LAST NIGHT WAS EXACTLY
WHAT IT WAS SUPPOSED TO BE.

172
00:08:35,598 --> 00:08:39,519
FOR THE FIRST TIME,
YOU, ME, AND EMMA
WERE REALLY TOGETHER--

173
00:08:39,519 --> 00:08:41,562
NO LIES, NO SECRETS.

174
00:08:41,562 --> 00:08:43,482
IT FELT RIGHT.

175
00:08:45,608 --> 00:08:48,195
THERE'S ONLY ONE THING
MISSING NOW.

176
00:08:54,826 --> 00:08:56,995
WILL YOU JUST
DO IT FOR ME?

177
00:09:00,040 --> 00:09:03,084
NO MORE LIES, JACOB.

178
00:09:03,084 --> 00:09:06,921
THIS IS ABOUT TRUST NOW.

179
00:09:06,921 --> 00:09:09,841
EMMA AND I BELIEVE
IN YOU.

180
00:09:09,841 --> 00:09:11,343
YOU CAN DO THIS.

181
00:09:29,694 --> 00:09:31,988
OLIVIA.

182
00:09:31,988 --> 00:09:33,407
COME ON IN.

183
00:09:41,831 --> 00:09:44,543
OH, PLEASE
DO SIT DOWN.

184
00:09:55,095 --> 00:09:57,222
WHY AM I HERE?

185
00:09:57,222 --> 00:09:58,765
I REQUIRE LEGAL COUNSEL.

186
00:09:58,765 --> 00:10:02,018
MY FIRST THOUGHT
WAS OF YOU.

187
00:10:02,018 --> 00:10:06,523
THERE'S NOTHING I CAN
DO FOR YOU, MR. CARROLL,
LEGALLY OR OTHERWISE.

188
00:10:08,649 --> 00:10:11,236
NOW WE BOTH KNOW...

189
00:10:11,236 --> 00:10:13,738
THAT ISN'T TRUE.

190
00:10:13,738 --> 00:10:16,324
YOU OWE ME
A FEW FAVORS.

191
00:10:16,324 --> 00:10:18,659
Olivia, voice-over:
I'M SORRY WE LOST
THE APPEAL.

192
00:10:18,659 --> 00:10:20,412
THEN FILE
ANOTHER ONE.

193
00:10:20,412 --> 00:10:24,499
I THINK IT'S TIME YOU
CONSIDERED ANOTHER
FIRM, MR. CARROLL,

194
00:10:24,499 --> 00:10:26,460
PERHAPS THE ACLU.

195
00:10:26,460 --> 00:10:28,669
YOU GARNERED
A GREAT DEAL
OF ATTENTION

196
00:10:28,669 --> 00:10:30,589
WHILE REPRESENTING ME.

197
00:10:30,589 --> 00:10:33,716
IT'S HELPED YOUR CAREER.

198
00:10:33,716 --> 00:10:36,844
I WANT YOU, OLIVIA.

199
00:10:36,844 --> 00:10:39,347
THERE'S NOTHING MORE
FOR US TO GAIN, MR. CARROLL.

200
00:10:39,347 --> 00:10:42,434
I AM SORRY.

201
00:10:42,434 --> 00:10:44,436
GOOD-BYE AND GOOD LUCK.

202
00:10:56,406 --> 00:10:58,992
RYAN HARDY HAS
MORE THAN SURPRISED
WITH HIS, UH--

203
00:11:00,201 --> 00:11:02,078
HIS GET-UP AND GO,

204
00:11:02,078 --> 00:11:05,582
SO I NEED TO MOVE THINGS
ALONG SLIGHTLY FASTER

205
00:11:05,582 --> 00:11:08,502
THAN I HAD
ORIGINALLY PLANNED.

206
00:11:08,502 --> 00:11:09,919
I DON'T FOLLOW.

207
00:11:09,919 --> 00:11:12,964
I NEED TO KNOW EVERYTHING
THAT'S HAPPENING

208
00:11:12,964 --> 00:11:14,841
BEHIND THAT DOOR.

209
00:11:14,841 --> 00:11:17,344
BOTH IN THE MEDIA
AND WITHIN THE FBI,

210
00:11:17,344 --> 00:11:20,639
YOU STILL HAVE
YOUR CONTACTS, HMM?

211
00:11:24,225 --> 00:11:27,354
YES?

212
00:11:27,354 --> 00:11:29,523
YES.
GOOD.

213
00:11:29,523 --> 00:11:32,317
THEN LET'S GET STARTED.

214
00:11:32,317 --> 00:11:36,655
YOU ARE ABOUT TO HAVE
A VERY BUSY DAY, OLIVIA.

215
00:11:52,504 --> 00:11:54,589
Olivia on TV: GOOD MORNING.

216
00:11:54,589 --> 00:11:56,466
MY NAME IS OLIVIA WARREN.

217
00:11:56,466 --> 00:11:59,760
I HAVE BEEN RETAINED
TO REPRESENT JOE CARROLL.

218
00:11:59,760 --> 00:12:00,887
WHAT'S GOING ON?

219
00:12:00,887 --> 00:12:02,013
JOE CARROLL
PRESS CONFERENCE.

220
00:12:02,013 --> 00:12:03,682
I TOLD YOU HE WAS
UP TO SOMETHING.

221
00:12:03,682 --> 00:12:05,225
IN LIGHT OF THE RECENT
SPECULATION

222
00:12:05,225 --> 00:12:07,686
ABOUT AN ALLEGED
CULT FOLLOWING OF MR. CARROLL,

223
00:12:07,686 --> 00:12:12,190
HE HAS ASKED ME TO READ
THE FOLLOWING STATEMENT.

224
00:12:12,190 --> 00:12:14,609
"HE HAD COME LIKE
A THIEF IN THE NIGHT.

225
00:12:14,609 --> 00:12:16,819
"AND ONE BY ONE DROPPED
THE REVELERS

226
00:12:16,819 --> 00:12:19,947
"IN THE BLOOD-BEDEWED HALLS
OF THEIR REVEL,

227
00:12:19,947 --> 00:12:23,742
AND DIED EACH IN THE DESPAIRING
POSTURE OF HIS FALL."

228
00:12:23,742 --> 00:12:24,911
IT'S POE.

229
00:12:24,911 --> 00:12:26,871
"THE MASK
OF THE RED DEATH."

230
00:12:26,871 --> 00:12:28,498
"AND THE LIFE
OF THE EBONY CLOCK WENT OUT

231
00:12:28,498 --> 00:12:30,875
"WITH THAT
OF THE LAST OF THE GAY.

232
00:12:30,875 --> 00:12:33,545
"AND THE FLAMES
OF THE TRIPODS EXPIRED.

233
00:12:33,545 --> 00:12:38,508
"AND DARKNESS AND DECAY
AND THE RED DEATH HELD

234
00:12:38,508 --> 00:12:42,136
ILLIMITABLE DOMINION OVER ALL."

235
00:12:46,140 --> 00:12:47,559
HELLO?

236
00:12:47,559 --> 00:12:49,227
IT'S TIME.

237
00:12:53,356 --> 00:12:55,650
Olivia: THAT CONCLUDES
MR. CARROLL'S STATEMENT.

238
00:12:55,650 --> 00:12:56,943
THANK YOU FOR COMING.

239
00:13:01,864 --> 00:13:03,283
Parker: A POE STORY.

240
00:13:03,283 --> 00:13:05,159
A MYSTERIOUS STRANGER
MOVING FROM ROOM TO ROOM

241
00:13:05,159 --> 00:13:07,621
KILLING PEOPLE
LIKE A PLAGUE.

242
00:13:07,621 --> 00:13:09,163
CARROLL'S BEHIND BARS.

243
00:13:09,163 --> 00:13:11,832
A CULT NEEDS TO HEAR
FROM ITS LEADER.

244
00:13:11,832 --> 00:13:13,585
A DIRECTIVE COUCHED
IN POETIC VERSE
MAKES IT SPECIAL.

245
00:13:13,585 --> 00:13:15,002
YEAH. IT'S
AN ENCODED MESSAGE.

246
00:13:15,002 --> 00:13:16,212
HE'S TRIGGERING
SOMEONE.

247
00:13:16,212 --> 00:13:17,464
I'M NARROWING DOWN
A LOCATION.

248
00:13:17,464 --> 00:13:18,632
YOU GOT IT RIGHT
THE FIRST TIME.

249
00:13:18,632 --> 00:13:20,049
IT'S
DUTCHESS COUNTY.

250
00:13:20,049 --> 00:13:21,301
THEY'RE SCRAMBLING
YOU WITH THIS VIRUS.

251
00:13:21,301 --> 00:13:24,304
WE GOT TO MOVE.

252
00:13:24,304 --> 00:13:27,056
Parker: I'VE GOT
A HELICOPTER TO TAKE YOU
TO NEAREST LANDING STRIP.

253
00:13:27,056 --> 00:13:30,977
LOCAL PD WILL ASSIST YOU,
AND THE ALBANY FIELD OFFICE
IS ON STANDBY.

254
00:13:30,977 --> 00:13:34,648
YOU WILL STAY IN CONTACT
WITH ME AT ALL TIMES.

255
00:13:34,648 --> 00:13:36,274
YOU UNDERSTAND?

256
00:13:36,274 --> 00:13:39,486
AGENT WESTON, THAT WAS
FOR YOUR BENEFIT.

257
00:13:39,486 --> 00:13:40,779
YES, MA'AM.

258
00:13:45,950 --> 00:13:47,368
SIGN HERE.

259
00:13:49,621 --> 00:13:54,875
DO YOU SOLEMNLY SWEAR
TO UPHOLD THE CONSTITUTION...

260
00:13:54,875 --> 00:13:56,002
ET CETERA, ET CETERA?

261
00:13:56,002 --> 00:13:57,128
I DO.

262
00:13:57,128 --> 00:13:59,046
GOOD. YOU'RE DEPUTIZED.

263
00:14:07,597 --> 00:14:09,890
Claire: HOW ARE YOU
GONNA FIND HIM IF YOU DON'T
HAVE A SPECIFIC LOCATION?

264
00:14:09,890 --> 00:14:11,892
WE KNOW THE COUNTY,
WE'VE GOT A DESCRIPTION

265
00:14:11,892 --> 00:14:13,478
OF THE HOUSE,
WE'RE GONNA USE LOCAL COPS,

266
00:14:13,478 --> 00:14:15,188
GO DOOR TO DOOR
IF NECESSARY.

267
00:14:15,188 --> 00:14:16,481
I WANT TO GO
WITH YOU.

268
00:14:16,481 --> 00:14:17,940
IT'S BETTER THAT
YOU STAY HERE

269
00:14:17,940 --> 00:14:20,443
IN CASE JOEY TRIES
TO CONTACT YOU AGAIN.

270
00:14:20,443 --> 00:14:23,571
CHOPPER'S READY.
WE NEED TO GO.

271
00:14:39,337 --> 00:14:43,049
I KNOW THE WAY
I LEFT THINGS WITH US

272
00:14:43,049 --> 00:14:45,259
ALL THOSE YEARS AGO,
I WASN'T FAIR TO YOU.

273
00:14:45,259 --> 00:14:46,553
RYAN, IT'S OK.
THERE'S SO MUCH

274
00:14:46,553 --> 00:14:47,887
THAT I WANT TO
SAY TO YOU,

275
00:14:47,887 --> 00:14:49,222
AND I KNOW NOW
ISN'T THE TIME.

276
00:14:49,222 --> 00:14:52,933
I JUST REALLY NEED
TO BRING JOEY HOME,

277
00:14:52,933 --> 00:14:56,354
AND THEN I WANT
US TO TALK.

278
00:14:56,354 --> 00:14:57,856
PLEASE BE CAREFUL.

279
00:15:07,866 --> 00:15:10,201
MAYBE JACOB'S RIGHT.

280
00:15:10,201 --> 00:15:11,369
IT'S TIME TO CALL
RODERICK.

281
00:15:11,369 --> 00:15:13,037
I ALREADY CALLED
RODERICK,

282
00:15:13,037 --> 00:15:15,164
LEFT A MESSAGE.

283
00:15:15,164 --> 00:15:16,332
HE'LL TELL US
WHAT TO DO.

284
00:15:16,332 --> 00:15:18,251
WHAT'S UP
WITH THE KID?

285
00:15:18,251 --> 00:15:19,836
I HANDLED IT
LIKE I ALWAYS DO.

286
00:15:19,836 --> 00:15:22,255
WITH A HUG?
THAT KID NEEDS
A SMACKING.

287
00:15:22,255 --> 00:15:24,632
DON'T EVEN THINK
ABOUT IT.

288
00:15:24,632 --> 00:15:26,551
HE'S A KID.
HE WANTS HIS MOTHER.

289
00:15:26,551 --> 00:15:28,511
HE'S NOT DUMB.

290
00:15:28,511 --> 00:15:30,680
I MEAN, HE'S GONNA
KNOW WE'RE LYING
TO HIM EVENTUALLY.

291
00:15:30,680 --> 00:15:34,308
JOEY'S FINE.
HOW'S JACOB?

292
00:15:34,308 --> 00:15:36,977
HE'S STILL
DOWN THERE.

293
00:15:36,977 --> 00:15:39,439
I'M GIVING HIM
SOME TIME

294
00:15:39,439 --> 00:15:41,148
AND A LITTLE SPACE.

295
00:15:50,408 --> 00:15:51,701
ARE YOU IN CHARGE?

296
00:15:51,701 --> 00:15:53,160
I'M OLIVIA WARREN.
I REPRESENT--

297
00:15:53,160 --> 00:15:54,954
I KNOW WHO YOU ARE,
MISS WARREN.

298
00:15:54,954 --> 00:15:57,874
I NEED TO SPEAK
TO CLAIRE MATTHEWS ALONE.

299
00:15:57,874 --> 00:15:59,751
WHAT DO YOU WANT?

300
00:15:59,751 --> 00:16:02,169
YOU'LL BE VERY INTERESTED
IN WHAT I HAVE TO SAY,
MISS MATTHEWS.

301
00:16:06,215 --> 00:16:07,634
Claire: I SAW YOUR
PRESS CONFERENCE.

302
00:16:07,634 --> 00:16:09,009
WHAT WAS THAT
ABOUT?

303
00:16:09,009 --> 00:16:11,137
THAT'S NOT
WHY I'M HERE,

304
00:16:11,137 --> 00:16:14,766
BUT JOE DID ASK ME
TO DELIVER A MESSAGE.

305
00:16:14,766 --> 00:16:17,602
IF YOU WANT TO SEE JOEY,
BE AT THE CORNER

306
00:16:17,602 --> 00:16:21,314
OF BROAD AND 26th STREET
AT 3 P.M. THIS AFTERNOON.

307
00:16:21,314 --> 00:16:23,691
COME ALONE
AND TELL NO ONE.

308
00:16:23,691 --> 00:16:25,610
I DON'T UNDERSTAND.
THE FBI SAID--

309
00:16:25,610 --> 00:16:28,321
WHATEVER THE FBI
HAS TOLD YOU
IS INCORRECT.

310
00:16:28,321 --> 00:16:31,324
ACCORDING TO YOUR
EX-HUSBAND,

311
00:16:31,324 --> 00:16:36,162
THE ONLY WAY YOU WILL
SEE YOUR SON IS IF YOU
FOLLOW THESE INSTRUCTIONS.

312
00:16:36,162 --> 00:16:37,622
IT'S YOUR DECISION.

313
00:17:12,239 --> 00:17:13,741
Weston: WE BELIEVE
JOEY MATTHEWS' CALL

314
00:17:13,741 --> 00:17:15,576
CAME FROM
THIS CLUSTER HERE.

315
00:17:15,576 --> 00:17:17,662
THOSE CELL TOWERS SERVE
NEARLY HALF THE COUNTY.

316
00:17:17,662 --> 00:17:19,831
WE'RE GONNA NEED YOUR HELP
TO NARROW THE FIELD.

317
00:17:19,831 --> 00:17:22,040
WE'RE LOOKING FOR
A TWO-STORY WHITE FARMHOUSE
SET BACK FROM THE ROAD.

318
00:17:22,040 --> 00:17:25,419
LOOK. I CAN DOUBLE-CHECK,
BUT THAT'S ABOUT
150 PROPERTIES.

319
00:17:41,352 --> 00:17:42,854
YOU OK?

320
00:17:46,691 --> 00:17:48,651
YOU CAN'T DO IT,
CAN YOU?

321
00:17:56,409 --> 00:17:58,536
JACOB!
JACOB, WAIT!

322
00:18:02,206 --> 00:18:04,667
JOEY, I HAVE LUNCH!

323
00:18:11,049 --> 00:18:12,550
JOEY?

324
00:18:15,094 --> 00:18:16,262
JOEY!

325
00:18:18,765 --> 00:18:21,768
HEY. WHERE ARE YOU?

326
00:18:21,768 --> 00:18:24,687
JOEY--

327
00:18:24,687 --> 00:18:27,690
JOEY?

328
00:18:27,690 --> 00:18:29,901
TRY AND STOP
BEATING YOURSELF UP,
ALL RIGHT?

329
00:18:29,901 --> 00:18:31,611
WILL YOU JUST
STOP IT?

330
00:18:31,611 --> 00:18:33,320
WHAT--WHAT?
I'M JUST TRYING
TO BE A FRIEND.

331
00:18:33,320 --> 00:18:35,322
REALLY? WITH ALL THIS
TOUCHY-FEELY CRAP?

332
00:18:35,322 --> 00:18:36,908
JOEY'S GONE!

333
00:18:57,595 --> 00:18:58,805
HE'S NOT IN THERE.

334
00:18:58,805 --> 00:19:00,056
YOU WERE SUPPOSED
TO TALK TO HIM.

335
00:19:00,056 --> 00:19:02,558
I DID! HE'S SCARED.

336
00:19:02,558 --> 00:19:04,393
I'M GONNA CHECK THE WOODS.
THERE'S A TRAIL OVER THERE.

337
00:19:04,393 --> 00:19:05,895
MAYBE HE WENT THAT WAY.

338
00:19:05,895 --> 00:19:07,480
OK. LET'S SPLIT UP.
WE'LL COVER
MORE GROUND.

339
00:19:22,912 --> 00:19:24,163
YOU ALL RIGHT?

340
00:19:25,748 --> 00:19:28,167
YEAH. ME, TOO.
ALL RIGHT. BYE.

341
00:19:30,419 --> 00:19:32,588
UM, I'M GONNA GO OUT
FOR A LITTLE WHILE.

342
00:19:32,588 --> 00:19:34,548
EXCUSE ME?

343
00:19:34,548 --> 00:19:36,342
I'VE BEEN COOPED UP
IN THIS HOUSE FOR DAYS.

344
00:19:36,342 --> 00:19:38,511
I JUST WANT TO MEET
A FRIEND FOR LUNCH.

345
00:19:38,511 --> 00:19:39,846
I DON'T THINK THAT'S
A GOOD IDEA.

346
00:19:39,846 --> 00:19:41,973
WELL, REGARDLESS,
I'M GOING.

347
00:19:41,973 --> 00:19:44,266
YOU CAN'T KEEP ME
TRAPPED HERE.

348
00:19:44,266 --> 00:19:46,185
I'LL HAVE TO INSIST
WE ACCOMPANY YOU.

349
00:19:46,185 --> 00:19:47,603
WHATEVER YOU
HAVE TO DO.

350
00:20:02,827 --> 00:20:04,244
TURNER?

351
00:20:04,244 --> 00:20:05,371
YEAH. JOE CARROLL'S
LAWYER JUST SHOWED UP

352
00:20:05,371 --> 00:20:06,831
TO SEE MRS. MATTHEWS.

353
00:20:06,831 --> 00:20:08,082
I DON'T KNOW WHAT
THEY SAID TO EACH OTHER,

354
00:20:08,082 --> 00:20:09,500
BUT NOW MISS MATTHEWS
WANTS TO LEAVE.

355
00:20:09,500 --> 00:20:11,210
SAYS SHE'S GOING
TO LUNCH.

356
00:20:11,210 --> 00:20:12,879
WELL, GO WITH HER.
DON'T LET HER
OUT OF YOUR SIGHT.

357
00:20:12,879 --> 00:20:14,338
I'M ON IT.

358
00:20:18,216 --> 00:20:19,760
IS IT TRUE

359
00:20:19,760 --> 00:20:22,388
JOE CARROLL
HAS A CULT
OF SERIAL KILLERS?

360
00:20:22,388 --> 00:20:25,933
WE DON'T KNOW THE EXTENT,
BUT YEAH.

361
00:20:25,933 --> 00:20:28,268
CHIEF, YOU RECOGNIZE
THIS GUY?

362
00:20:28,268 --> 00:20:31,105
MAYBE. AVA, THE MISSING
GIRL CASE IN RHINEBECK,

363
00:20:31,105 --> 00:20:32,398
COULD THAT BE THE GUY?

364
00:20:32,398 --> 00:20:34,859
I'LL PULL UP
THE FOOTAGE.

365
00:20:34,859 --> 00:20:37,235
LOCAL GIRL NAMED
MEGAN LEEDS
WENT MISSING

366
00:20:37,235 --> 00:20:39,155
AFTER HER SHIFT
AT A GROCERY STORE.

367
00:20:39,155 --> 00:20:41,490
WE'VE GOT SURVEILLANCE
FOOTAGE FROM THAT NIGHT.

368
00:20:41,490 --> 00:20:44,077
LAST TIME ANYONE SAW HER,
SHE WAS WITH THIS GUY.

369
00:20:45,828 --> 00:20:48,414
IT'S HARD TO SEE A FACE.

370
00:20:48,414 --> 00:20:50,750
MAY I?

371
00:20:50,750 --> 00:20:53,377
I JUST WANT TO ROUTE
THIS THROUGH
THE FBI SERVER.

372
00:20:53,377 --> 00:20:54,378
ADVANCED TECHNOLOGY.

373
00:20:54,378 --> 00:20:56,089
HEH. I BET.

374
00:21:05,305 --> 00:21:08,184
HARDY.

375
00:21:08,184 --> 00:21:09,560
PAUL TORRES.

376
00:21:09,560 --> 00:21:11,187
Ava, voice-over:
OK. THERE'S
ABOUT 20 FARMS

377
00:21:11,187 --> 00:21:12,521
MATCHING
THE DESCRIPTION

378
00:21:12,521 --> 00:21:14,314
WITHIN A 25-MILE
RADIUS OF THE STORE,

379
00:21:14,314 --> 00:21:15,399
MOST OF THEM
TO THE NORTH.

380
00:21:15,399 --> 00:21:16,525
WE SHOULD
START THERE.

381
00:21:16,525 --> 00:21:17,735
THAT SOUNDS LIKE
A PLAN.

382
00:21:17,735 --> 00:21:19,278
YEAH. YOU AND WESTON
START THERE.

383
00:21:19,278 --> 00:21:20,905
I'M GONNA TAKE
OFFICER LOPEZ,
HIT THE SOUTH,

384
00:21:20,905 --> 00:21:22,198
COVER MORE GROUND.

385
00:21:28,704 --> 00:21:30,414
Man: HON.

386
00:21:30,414 --> 00:21:32,416
THIS LITTLE MAN NEEDS
TO BORROW THE PHONE

387
00:21:32,416 --> 00:21:33,918
TO CALL HIS MOM.

388
00:21:37,379 --> 00:21:40,049
ARE YOU
JOEY MATTHEWS?

389
00:21:40,049 --> 00:21:44,804
YEAH. HOW DO YOU
KNOW THAT?

390
00:21:44,804 --> 00:21:46,722
YOU WERE
ON THE TELEVISION.

391
00:21:46,722 --> 00:21:48,641
THE POLICE ARE
LOOKING FOR YOU.

392
00:21:48,641 --> 00:21:49,976
THEY WANT TO
HURT ME.

393
00:21:49,976 --> 00:21:52,228
HURT YOU? THE POLICE?

394
00:21:52,228 --> 00:21:53,771
WHO WOULD TELL YOU
SUCH A THING?

395
00:21:53,771 --> 00:21:55,231
Emma: JOEY!

396
00:21:55,231 --> 00:21:58,859
JOEY! YOU SCARED ME!

397
00:21:58,859 --> 00:22:02,446
I WAS SO WORRIED
ABOUT YOU.

398
00:22:02,446 --> 00:22:04,615
COME ON.
LET'S GO HOME.

399
00:22:04,615 --> 00:22:06,617
I'M SORRY.
AND YOU ARE?

400
00:22:06,617 --> 00:22:08,911
DENISE.
I'M JOEY'S NANNY.

401
00:22:08,911 --> 00:22:10,246
I'M GLAD YOU FOUND HIM.

402
00:22:10,246 --> 00:22:12,623
IT'S SO EASY TO GET
LOST IN THESE WOODS.

403
00:22:12,623 --> 00:22:14,583
THE BOY WANTED
TO CALL HIS MOTHER.

404
00:22:14,583 --> 00:22:16,335
WE WERE GONNA LET HIM
USE OUR PHONE.

405
00:22:16,335 --> 00:22:19,213
THAT'S NOT NECESSARY.
WE HAVE A PHONE BACK
AT THE FARMHOUSE.

406
00:22:19,213 --> 00:22:20,714
YOU CAN CALL YOUR MOM
FROM THERE.

407
00:22:20,714 --> 00:22:21,841
I CAN?

408
00:22:21,841 --> 00:22:23,801
OF COURSE, SILLY.

409
00:22:23,801 --> 00:22:25,052
SORRY TO BOTHER YOU.

410
00:22:25,052 --> 00:22:26,428
COME ON.

411
00:22:30,766 --> 00:22:32,559
Joey: THEY SAID
THEY SAW ME ON TV.

412
00:22:32,559 --> 00:22:33,853
YOU SHOULDN'T HAVE
RUN OFF LIKE THAT.

413
00:22:33,853 --> 00:22:35,271
I WAS WORRIED SICK.

414
00:22:35,271 --> 00:22:36,438
YOU SAID I COULD
CALL MY MOM.

415
00:22:36,438 --> 00:22:38,149
DID YOU MEAN IT?
SURE.

416
00:22:38,149 --> 00:22:40,318
YOU CAN CALL HER
WHENEVER YOU WANT.

417
00:22:40,318 --> 00:22:42,528
YOU FOUND HIM.
WHERE WERE YOU, SQUIRT?

418
00:22:42,528 --> 00:22:43,821
HUH? YOU HAD US WORRIED.

419
00:22:43,821 --> 00:22:45,489
I DIDN'T FIND HIM.

420
00:22:45,489 --> 00:22:48,117
SOME FRIENDLY
NEIGHBORS BACK
THERE DID.

421
00:22:48,117 --> 00:22:50,661
THEY TOLD JOEY
THEY SAW HIM ON TV.

422
00:22:50,661 --> 00:22:53,206
THEY DID, HUH?

423
00:22:53,206 --> 00:22:57,417
SHOOT. I FORGOT
TO THANK THEM
FOR HELPING OUT.

424
00:22:57,417 --> 00:22:58,836
DO YOU MIND?

425
00:22:59,962 --> 00:23:02,048
YEAH, SURE.
I'M GREAT AT THANK-YOUS.

426
00:23:02,048 --> 00:23:03,883
COME ON.
LET'S GO, MAN.

427
00:23:06,344 --> 00:23:07,469
IT WAS THAT BOY
FROM THE NEWS.

428
00:23:07,469 --> 00:23:08,554
TELL THEM TO HURRY,
CLARK.

429
00:23:12,933 --> 00:23:14,310
I WOULDN'T DO THAT.

430
00:23:21,859 --> 00:23:24,153
Ryan: LOOKS LIKE
4 MORE FARMS IN THE AREA.

431
00:23:24,153 --> 00:23:26,947
Man: OFFICER LOPEZ,
THIS IS DISPATCH.

432
00:23:26,947 --> 00:23:28,490
THIS IS LOPEZ.
GO AHEAD.

433
00:23:28,490 --> 00:23:30,951
JUST GOT A CALL FROM THAT
SULLIVAN HOUSE ON ROUTE 9.

434
00:23:30,951 --> 00:23:33,787
THEY SAW THAT BOY
EVERYONE'S LOOKING FOR.

435
00:23:33,787 --> 00:23:35,164
HOW FAST CAN YOU
GET THERE?

436
00:23:35,164 --> 00:23:36,414
IT'S A COUPLE MILES
UP THE ROAD.

437
00:23:36,414 --> 00:23:37,958
DISPATCH, WE'RE
EN ROUTE NOW.

438
00:23:44,257 --> 00:23:46,550
AAAH! WAAP! PLAP!

439
00:23:46,550 --> 00:23:47,968
CAN I DIAL?

440
00:23:47,968 --> 00:23:50,846
EAGER BEAVER!
YOU WANT TO CALL HER NOW?

441
00:23:50,846 --> 00:23:52,556
YOU SAID I COULD.

442
00:23:52,556 --> 00:23:54,141
I'LL GET THE PHONE.

443
00:23:54,141 --> 00:23:55,517
YOU'RE NOT GOING
ANYWHERE, RIGHT?

444
00:23:55,517 --> 00:23:56,936
I PROMISE.

445
00:24:23,921 --> 00:24:26,840
JACOB?

446
00:24:26,840 --> 00:24:28,008
PAUL?

447
00:24:43,107 --> 00:24:44,108
WHO ARE YOU?

448
00:24:44,108 --> 00:24:45,318
RODERICK SENT ME.

449
00:24:45,318 --> 00:24:47,987
WE NEED TO GO NOW.

450
00:25:00,333 --> 00:25:01,750
SORRY. HI.

451
00:25:01,750 --> 00:25:03,252
THANK YOU SO MUCH
FOR MEETING ME.

452
00:25:03,252 --> 00:25:06,255
OF COURSE.

453
00:25:06,255 --> 00:25:10,717
I'VE BEEN SO WORRIED
ABOUT YOU.

454
00:25:10,717 --> 00:25:13,471
OH, YEAH.
JUST IGNORE
THE FBI MEN.

455
00:25:13,471 --> 00:25:15,055
THEY INSISTED.

456
00:25:15,055 --> 00:25:17,099
OH.

457
00:25:17,099 --> 00:25:18,851
EVERYONE SHOULD HAVE
AN ENTOURAGE.

458
00:25:18,851 --> 00:25:20,478
WELL...
IT'S SO GOOD TO SEE YOU.

459
00:25:20,478 --> 00:25:22,355
I CALLED, AND I LEFT
SOME MESSAGES.

460
00:25:22,355 --> 00:25:24,482
I KNOW. IT'S JUST BEEN
SUCH A NIGHTMARE.

461
00:25:27,276 --> 00:25:30,612
UM, LET'S--
I'M GONNA ORDER.
LET'S ORDER.

462
00:25:30,612 --> 00:25:32,031
OK.

463
00:25:37,995 --> 00:25:39,537
ANYBODY HERE?

464
00:25:39,537 --> 00:25:41,915
NOT SURE. THEY'RE NOT
ANSWERING THEIR PHONE.

465
00:25:46,086 --> 00:25:47,463
POLICE DEPARTMENT!

466
00:25:50,341 --> 00:25:51,884
I'M GONNA CHECK
THE BACK.

467
00:26:15,491 --> 00:26:19,412
CLARK, NORA?

468
00:26:19,412 --> 00:26:20,496
ANYONE HOME?

469
00:26:42,393 --> 00:26:44,520
OH, MY GOD.

470
00:26:48,274 --> 00:26:49,607
CALL IT IN.

471
00:26:54,154 --> 00:26:57,324
HEY. IT'S OK.

472
00:26:57,324 --> 00:26:58,616
CALL IT IN.

473
00:27:04,498 --> 00:27:08,752
DISPATCH,
THIS IS OFFICER LOPEZ.

474
00:27:08,752 --> 00:27:11,297
THEY WERE JUST HERE.

475
00:27:11,297 --> 00:27:12,506
WE HAVE A 1055.

476
00:27:12,506 --> 00:27:13,715
FOLLOW ME.

477
00:27:13,715 --> 00:27:15,008
SULLIVAN HOUSE.

478
00:27:30,357 --> 00:27:32,734
THEY'RE ON FOOT.

479
00:27:32,734 --> 00:27:34,652
HOW CLOSE IS
THE NEXT FARM?

480
00:27:34,652 --> 00:27:36,530
ABOUT HALF A MILE
THROUGH THOSE WOODS.

481
00:28:02,722 --> 00:28:03,932
THAT'S IT.

482
00:28:03,932 --> 00:28:05,809
WHITE HOUSE,
BLACK SHUTTERS.

483
00:28:05,809 --> 00:28:07,102
YOU SURE?

484
00:28:14,527 --> 00:28:15,986
[WHISPERING]
We're at the farmhouse

485
00:28:15,986 --> 00:28:18,364
about a half-mile west
of the Sullivan house,

486
00:28:18,364 --> 00:28:19,823
pursuing suspects.

487
00:28:19,823 --> 00:28:20,991
That's them.

488
00:28:32,044 --> 00:28:33,337
HEY. WHERE ARE YOU?

489
00:28:33,337 --> 00:28:35,839
About a half a mile
west of the house

490
00:28:35,839 --> 00:28:37,466
where we found
the dead couple.

491
00:28:37,466 --> 00:28:40,219
I've I.D.ed Jacob Wells,
Paul Torres.

492
00:28:40,219 --> 00:28:42,137
We're gonna need
some backup here.

493
00:28:42,137 --> 00:28:43,222
ALL RIGHT.
CONSIDER IT DONE.

494
00:28:43,222 --> 00:28:45,098
HEY. WAIT FOR IT.

495
00:28:45,098 --> 00:28:48,101
Gonna get closer,
stabilize.

496
00:28:48,101 --> 00:28:49,895
You notify me
when you're here.

497
00:28:52,314 --> 00:28:55,234
Hey. You up for this?

498
00:28:55,234 --> 00:28:56,902
Yeah.

499
00:28:56,902 --> 00:28:59,530
All right.
We're gonna get closer
to the house here,

500
00:28:59,530 --> 00:29:02,115
try to get
a better look, OK?

501
00:29:02,115 --> 00:29:03,283
OK.

502
00:29:05,994 --> 00:29:08,914
Jacob: EMMA, WHOSE CAR
IS THAT OUT THERE?

503
00:29:11,542 --> 00:29:13,919
JACOB, PAUL,
THIS IS HANK.

504
00:29:13,919 --> 00:29:15,128
RODERICK SENT HIM.

505
00:29:15,128 --> 00:29:16,380
WE NEED TO GET
OUT OF HERE, GUYS.

506
00:29:16,380 --> 00:29:18,340
YOU HAVE 10 MINUTES.
PACK LIGHT.

507
00:29:18,340 --> 00:29:19,841
DON'T HAVE
A LOT OF ROOM.

508
00:29:22,302 --> 00:29:24,304
SO RODERICK
CAME THROUGH.

509
00:29:24,304 --> 00:29:25,472
WHERE'S JOEY?

510
00:29:25,472 --> 00:29:26,599
IN HIS BEDROOM.

511
00:29:26,599 --> 00:29:28,016
LET'S GET PACKED UP.

512
00:29:28,016 --> 00:29:29,643
I'LL GET HIM LAST.

513
00:29:31,687 --> 00:29:34,398
DO THESE 3 HAVE
ANY CONNECTION TO
DUTCHESS COUNTY, NEW YORK?

514
00:29:34,398 --> 00:29:35,857
ANY FAMILY?

515
00:29:35,857 --> 00:29:38,151
Man: AGENT PARKER,
I JUST HEARD
FROM AGENT WESTON.

516
00:29:38,151 --> 00:29:39,361
THEY FOUND THE FARMHOUSE.

517
00:29:41,154 --> 00:29:43,323
Parker: I WANT EVERY
AVAILABLE AGENT,
SWAT AND TACTICAL.

518
00:29:43,323 --> 00:29:46,493
ALERT ATF, SET UP
MOBILE COMMAND
AT THE AREA.

519
00:29:46,493 --> 00:29:48,036
NOTIFY AIR TRANSPORT,

520
00:29:48,036 --> 00:29:50,497
THEN CALL THE ALBANY
AND NEW HAVEN FIELD OFFICES

521
00:29:50,497 --> 00:29:51,915
AND PULL MEN
FROM POUGHKEEPSIE.

522
00:29:51,915 --> 00:29:53,125
TELL THEM I'M ON MY WAY.

523
00:29:53,125 --> 00:29:54,042
GOT IT.

524
00:29:54,042 --> 00:29:55,544
I'M SO HAPPY
WE DID THIS.

525
00:29:55,544 --> 00:29:56,920
ME, TOO.
IT'S REALLY GOOD

526
00:29:56,920 --> 00:30:00,340
TO GET OUT
OF THE HOUSE.

527
00:30:00,340 --> 00:30:02,968
UM, WHY DON'T
YOU ORDER ME
A DOUBLE ESPRESSO?

528
00:30:02,968 --> 00:30:05,929
I'M--I'M GONNA BE
RIGHT BACK.

529
00:30:10,225 --> 00:30:11,977
JUST GOING TO
THE LITTLE GIRLS' ROOM.

530
00:30:17,107 --> 00:30:19,318
NO. I'LL GO.

531
00:31:16,709 --> 00:31:20,170
I'm gonna go around back
and see what I can see.

532
00:31:20,170 --> 00:31:21,879
I'll get to the barn.

533
00:31:21,879 --> 00:31:23,340
I'll have a better
sight line just
in front of the house.

534
00:31:23,340 --> 00:31:26,259
I'll meet you there.

535
00:31:26,259 --> 00:31:27,886
Eyes up.

536
00:31:45,362 --> 00:31:47,989
Hank: IT'S ME.
DO YOU HAVE THE MOTHER?

537
00:31:47,989 --> 00:31:49,575
SHE'S LATE.

538
00:31:54,788 --> 00:31:57,457
GIVE HER MORE TIME.
I'LL CALL YOU AS SOON
AS I'M ON THE ROAD.

539
00:32:48,634 --> 00:32:50,302
MR. HARDY?

540
00:32:59,603 --> 00:33:02,147
STOP.

541
00:33:02,147 --> 00:33:03,356
PUT YOUR HANDS WHERE
I CAN SEE THEM.

542
00:33:03,356 --> 00:33:06,318
IS--IS SOMETHING
WRONG, OFFICER?

543
00:33:06,318 --> 00:33:07,611
WHO ARE YOU?

544
00:33:07,611 --> 00:33:09,112
WAIT. WHAT'S GOING
ON, OFFICER?

545
00:33:09,112 --> 00:33:10,322
HEY. I SAID
PUT YOUR HANDS UP.

546
00:33:10,322 --> 00:33:11,615
YEAH. LOOK.

547
00:33:11,615 --> 00:33:12,991
DON'T COME
ANY CLOSER!

548
00:33:12,991 --> 00:33:14,284
I'M SORRY, OFF--
I'M JUST A LITTLE

549
00:33:14,284 --> 00:33:15,452
NERVOUS WITH THAT
GUN IN MY FACE

550
00:33:15,452 --> 00:33:16,995
AND EVERYTHING,
SO IF YOU--

551
00:33:16,995 --> 00:33:18,497
STOP IT!
OK.

552
00:33:18,497 --> 00:33:20,165
I--LOOK. I AM SORRY.
OFFICER, I--

553
00:33:20,165 --> 00:33:21,416
JUST KEEP YOUR HANDS UP!
OK.

554
00:33:21,416 --> 00:33:23,251
I NEED YOU TO KEEP
YOUR HANDS UP!

555
00:33:29,925 --> 00:33:31,301
UNH!

556
00:33:44,230 --> 00:33:45,357
DON'T MOVE!

557
00:33:59,997 --> 00:34:01,289
DID YOU GUYS HEAR THAT?

558
00:34:07,128 --> 00:34:09,088
Jacob:
WHERE'D HE GO?

559
00:34:09,088 --> 00:34:10,632
Emma: HANK?

560
00:34:10,632 --> 00:34:12,718
OH, MAN.
THIS IS NOT GOOD.

561
00:34:20,058 --> 00:34:22,101
CAN'T BE FAR.
LOOK AROUND.

562
00:34:22,101 --> 00:34:23,562
WE'LL FIND HIM.

563
00:34:26,648 --> 00:34:27,733
I'M GOOD.

564
00:34:27,733 --> 00:34:28,775
NO, NO. LISTEN TO ME.

565
00:34:28,775 --> 00:34:31,152
I NEED YOU TO STAY
ON THE GROUND.

566
00:34:31,152 --> 00:34:34,614
ALL AVAILABLE UNITS,
OFFICER DOWN, OFFICER DOWN,

567
00:34:34,614 --> 00:34:38,577
FARMHOUSE JUST WEST
OF ROUTE 9.

568
00:34:38,577 --> 00:34:40,078
WE NEED TO KNOCK THEM
OFF ONE BY ONE.

569
00:34:40,078 --> 00:34:41,162
THAT'S OUR BEST OPTION.

570
00:34:41,162 --> 00:34:42,915
NO, NO, NO, NO.
WAIT, WAIT.

571
00:34:42,915 --> 00:34:46,125
LISTEN TO ME.

572
00:34:46,125 --> 00:34:47,753
I NEED YOU TO
TAKE THIS.

573
00:34:47,753 --> 00:34:50,087
I NEED YOU TO HOLD
IT RIGHT HERE, OK?

574
00:34:50,087 --> 00:34:53,091
RIGHT THERE.
HELP IS ON THE WAY, OK?

575
00:34:53,091 --> 00:34:56,845
HELP IS COMING.
JUST HOLD ON.

576
00:34:56,845 --> 00:35:01,433
HOLD ON, HOLD ON.
HOLD ON, HOLD ON.

577
00:35:07,064 --> 00:35:09,691
Weston on walkie talkie:
RYAN?

578
00:35:09,691 --> 00:35:13,445
RYAN?
HEY, RYAN.

579
00:35:13,445 --> 00:35:16,155
IT'S TOO LATE.

580
00:35:16,155 --> 00:35:18,199
HE'S GONE.

581
00:35:22,495 --> 00:35:25,373
DAMN IT.

582
00:35:25,373 --> 00:35:27,751
ALL RIGHT. HANG TIGHT.
WE'RE A FEW MINUTES OUT.

583
00:35:31,630 --> 00:35:32,923
I'M GOING IN.

584
00:35:54,152 --> 00:35:55,320
HEY!

585
00:35:58,156 --> 00:36:00,075
OPEN THE DOOR!

586
00:36:01,994 --> 00:36:05,122
LET ME OUT!
OPEN THE DOOR!

587
00:36:15,007 --> 00:36:16,883
YOU ASKED
FOR AN UPDATE.

588
00:36:16,883 --> 00:36:18,093
MM-HMM.

589
00:36:18,093 --> 00:36:19,594
THE FBI HAS LOCATED
THE FARMHOUSE

590
00:36:19,594 --> 00:36:20,720
WHERE THEY'RE HOLDING
YOUR SON.

591
00:36:20,720 --> 00:36:21,805
DO THEY HAVE HIM?

592
00:36:21,805 --> 00:36:23,890
NO, NOT YET.

593
00:36:23,890 --> 00:36:27,102
I'VE ALSO DELIVERED
YOU MESSAGE TO THE PRESS.

594
00:36:27,102 --> 00:36:29,729
AND? HOW DID IT GO?

595
00:36:29,729 --> 00:36:31,898
BESIDES MY APPEARING
LIKE A RAVING MADWOMAN,

596
00:36:31,898 --> 00:36:33,274
IT WAS HEARD BY EVERYONE.

597
00:36:33,274 --> 00:36:35,360
BOTH LOCAL AND NATIONAL
NEWS PICKED IT UP.

598
00:36:35,360 --> 00:36:37,654
SO MY STORY HAS CAUSED
QUITE THE SENSATION.

599
00:36:37,654 --> 00:36:40,323
THE FBI HAS DONE A GOOD JOB
AT MINIMIZING THE DETAILS,

600
00:36:40,323 --> 00:36:44,285
BUT, YES, THE PRESS
HAS BEEN CONSIDERABLE.

601
00:36:46,955 --> 00:36:49,749
AND CLAIRE?

602
00:36:49,749 --> 00:36:53,045
I DELIVERED THE MESSAGE
TO HER, AS WELL.

603
00:36:53,045 --> 00:36:54,546
I HAVEN'T HEARD
ANYTHING.

604
00:36:54,546 --> 00:36:57,757
WELL, WHEN YOU DO,
I'LL NEED
ANOTHER UPDATE.

605
00:36:57,757 --> 00:37:00,886
YOU HAVE BEEN
VERY HELPFUL TODAY.

606
00:37:00,886 --> 00:37:02,345
THANK YOU.

607
00:37:02,345 --> 00:37:05,682
WHAT HAVE I DONE, JOE?

608
00:37:05,682 --> 00:37:07,976
THE POEM I READ,
I TRIGGERED SOMETHING.

609
00:37:07,976 --> 00:37:10,770
YOU SENT A MESSAGE
TO SOMEONE.

610
00:37:10,770 --> 00:37:11,980
WHAT AM I PART OF?

611
00:37:11,980 --> 00:37:14,691
I'M SURPRISED
AT YOU, OLIVIA.

612
00:37:14,691 --> 00:37:18,486
I CHOSE YOU PRECISELY
FOR YOUR AMBITION
AND LACK OF CONSCIENCE.

613
00:37:18,486 --> 00:37:20,279
I WON'T BE
YOUR MESSENGER.

614
00:37:20,279 --> 00:37:25,410
WELL, THE MESSENGER IS
SOMEONE PREFERABLE
TO THAT OF RECIPIENT.

615
00:37:27,162 --> 00:37:31,332
I'M SURE YOU'D AGREE.

616
00:37:33,960 --> 00:37:35,670
YOU MUST BE HANK FLYNN.

617
00:37:35,670 --> 00:37:38,173
PLEASE. COME IN.

618
00:37:44,096 --> 00:37:46,806
THANK YOU FOR SEEING
ME AFTER HOURS.

619
00:37:46,806 --> 00:37:50,518
OF COURSE. WHAT CAN
I DO FOR YOU?

620
00:37:50,518 --> 00:37:52,478
JOE CARROLL ASKED
ME TO SEE YOU.

621
00:37:52,478 --> 00:37:54,564
EXCUSE ME?

622
00:37:54,564 --> 00:37:56,149
ABOUT WHAT?

623
00:37:56,149 --> 00:37:57,859
HE WANTED ME TO GIVE
YOU A MESSAGE.

624
00:38:05,283 --> 00:38:08,161
PLEASE.

625
00:38:08,161 --> 00:38:10,205
DO NOT BRING ME
INTO THIS ANY FURTHER.

626
00:38:10,205 --> 00:38:12,874
WE'RE JUST
GETTING STARTED.

627
00:38:12,874 --> 00:38:16,002
I HAVE SO MUCH MORE
WORK FOR YOU TO DO.

628
00:38:16,002 --> 00:38:17,587
DID YOU BRING
PEN AND PAPER?

629
00:38:17,587 --> 00:38:21,424
YOU'RE GONNA NEED TO
WRITE THIS DOWN.

630
00:38:21,424 --> 00:38:23,969
SNAP, SNAP,
MISS WARREN.

631
00:38:33,228 --> 00:38:34,604
HMM.

632
00:39:03,800 --> 00:39:05,885
GET IN.

633
00:39:05,885 --> 00:39:07,137
AND GO WHERE?

634
00:39:07,137 --> 00:39:09,139
IF YOU WANT TO SEE JOEY,
GET IN NOW.

635
00:39:09,139 --> 00:39:10,431
I WON'T SAY IT AGAIN.

636
00:39:47,384 --> 00:39:48,678
DAMN IT!

637
00:39:52,473 --> 00:39:54,934
HE'S DEAD.

638
00:39:54,934 --> 00:39:57,979
LOCAL COP.
THINK HE'S ALONE?

639
00:40:43,066 --> 00:40:44,984
MEGAN.

640
00:40:44,984 --> 00:40:46,569
SHH, SHH, SHH, SHH.

641
00:40:46,569 --> 00:40:48,529
I'm Ryan Hardy
with the FBI.

642
00:40:48,529 --> 00:40:49,739
I'm gonna get you
out of here,

643
00:40:49,739 --> 00:40:53,326
but I need you
to be quiet, OK?

644
00:40:58,206 --> 00:40:59,374
How many of them
up there?

645
00:40:59,374 --> 00:41:00,625
I've seen 3.

646
00:41:00,625 --> 00:41:02,335
They're gonna
kill me.

647
00:41:14,597 --> 00:41:16,099
THEY'RE CRAZY.
YOU HAVE TO GET ME

648
00:41:16,099 --> 00:41:17,350
OUT OF HERE RIGHT NOW.

649
00:41:17,350 --> 00:41:19,685
SHH, SHH, SHH, SHH.

650
00:41:19,685 --> 00:41:21,354
Is there a boy
upstairs?

651
00:41:21,354 --> 00:41:23,231
I DON'T KNOW!
GET ME OUT OF HERMMM!

652
00:41:25,984 --> 00:41:28,611
I will be
right back.

653
00:41:28,611 --> 00:41:30,571
I promise you.

654
00:42:18,786 --> 00:42:22,374
HEY. JOEY. REMEMBER ME?

655
00:42:24,125 --> 00:42:26,752
I'm a friend
of your mom's.

656
00:42:26,752 --> 00:42:28,921
She sent me to come
take you home.

657
00:42:31,049 --> 00:42:34,344
Paul: DO NOT MOVE.
